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In daily life most visual information is redundant.In the case of photographic images it has been calculated that this redundancy may be as high as 90%.Each of the four sections of the glossary can be accessed from the menu top of each page of the glossary entries.The terms in this glossary are cross-linked or externally linked A Dutch term for the painting technique called "maniera lavata," which describes a method of dead-coloring (underpainting) in which each specific area of the painting is first approximated in a flat tint—a relatively light wash—before creating the final nuances of form, hue and light.However, abstraction, which we inevitably associate with twentieth-century abstract painting, has no exact correspondence in seventeenth-century art discussion.The closest concept is that of idealization, by which classically-oriented painters sought to divest the world of imperfections and transmit fundamental religious and ethical truths that were considered the only worthy objectives of the art of painting.A loss of media or scratches, often resulting in a loss on the surface, extending to the paint and ground layers, caused by faulty cleaning, friction as well as where the frame touches the painted surface.
However, the true broadness in Vermeer's rendering is adequately appreciable only when his paintings are compared to analogous works of his contemporaries.
The surfaces of objects are sometimes so abstracted that they are cleansed of their natural texture, for instance, the reflections that would be expected to be observed.
Vermeer's abstraction may have in part been inspired by the generalized image of a camera obscura.
Just as the brain searches for constancies and essentials, so does the artist.
In fact, a growing number of perceptual scientists hold that aesthetics are neurobiologically based, and that the artistic process shares vital similarities with physiological processes.